Alice in Wonderland Inspired Artwork

Yet another exciting show running at the Nucleus Gallery is the Curiouser and Curiouser event inspired by Lewis Caroll’s classic childrens tale, Alice in Wonderland. No doubt timed to coincide in celebration with the film adaption by Tim Burton and Disney Studios, which recently had its premiere in London. The exhibition features a collection of paintings, illustration and 3D designs. The show is running now until 29th March 2010 so why not get on your best Alice inspired attire and head down to the gallery where the event is sure to delight adults and children alike.

Caterpillar Illustration by Kei Acedera
Advice from Caterpillar ~ Kei Acedera of Imaginism Studios

The pictures from the show got me losing myself for hours in Alice in Wonderland inspired artwork. I was so thrilled to stumble upon the Imaginism Studios blog. Not only is it an excellent resource full of amazing artwork,  it is also absolutely jam packed with Alice concept art, character design and tribute pieces. The Curiouser and Curiouser show initially introduced me to a whole range of talented artists, some of whose artwork I must showcase here. These paintings and illustrations have certainly whetted my appetite for the much anticipated 3D Imax viewing I shall be treating myself to on Saturday!

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DIY Vintage Wood Wedding Signs

I am loving the use of old vintage signs as part of wedding decor. I have seen so many beautiful ways this has been implemented but my favourite just has to be the rustic, old country style kind. I found a beautiful shop on Etsy called The Back Porch Shoppe which sells ready made and custom antique looking signs such as the one below.

wedding-signLove sign by The Back Porch Shoppe on Etsy

I would love to learn how to make these signs but I am sure it isn’t easy. I did some reseach and found out the following techniques on how to antique wood from Bozzle:

To Age Painted Wood

  • For your coat always use off-white rather than a stark white, as it looks older to start with. The same applies to all other colors; always choose the duller, more sedate tone of the color you want. You will need to work with three colours; an old wood colour; your undercoat color and your top-coat colour.
  • Use enamel varnish for your wood color, emulsion for your other colours.
  • Give the wood a coat of enamel varnish of your main wood color, well thinned.
  • Once dry, apply blobs of beeswax using your fingers or a small brush, dragging generally in the direction of the grain.
  • Leave the wax to dry overnight.
  • Carefully apply a thick coat of your undercoat color (a paler, duller version of your top-coat colour).
  • When the undercoat is thoroughly dry, apply a very thin top-coat (two thirds water).
  • When the top-coat is barely, say within an hour, start scraping and rubbing off the lumps of beeswax, ensuring you get every piece off.
  • With a very fine sandpaper or sponge sanding pad, soften all the edges and go all over the surface removing some of the top-coat.
  • Finally coat the whole surface with beeswax polish or a satin varnish.

Antiquing Wood

  • This is basically to give an instant ageing effect; common in theatre and film work.
  • Mix up the antiquing solution by thinning beeswax with turpentine until runny.
  • Thicken the solution with rottenstone (powdered stone dust) or fullers earth.
  • Apply firmly with a brush, making sure you fill every hole, groove, crack or recess on the surface.
  • With a soft cotton cloth wipe off all the excess immediately you have finished brushing. Take care that you don’t lift it from cracks or deep grain.
  • When the solution has hardened (4 – 6 hours), polish with a soft cloth.

Antique Cracking Effect

  • See that the surface  is clean and then brush or spray on a coat of clear spirit varnish.
  • Allow this to become thoroughly dry and then coat the whole surface with a solution of concentrated glue and hot water or alternatively, dextrine and warm water.
  • Within a few minutes of application, this will have the effect of cracking the varnish film into irregular square or oblong formation.
  • If desired, two coats of varnish may be applied instead of one, and the thicker the coating and the softer the varnish, the wider will be the crack formation. Thus, a very thin film of hard varnish will produce very small squares.
  • Allow the cracking solution to dry thoroughly and then rub over the work with a lintless rag lightly charged with ready-bound drop black, umber, sienna, or other suitable pigment, well thinned with turpentine. The color will penetrate the cracks and can be rubbed off the remainder of the surface by means of another rag, moistened with turpentine or white spirit.
  • After allowing several hours for drying, take a sponge dipped in warm water and go over the work to remove the glue or dextrine coating.
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Seaside Inspired Grass Wreaths

I found these gorgeous grass wreaths on Etsy whilst browsing for seaside wedding inspiration. They are available through by Beach Grass Cottage. Created from dried grasses, starfish, sea shells, sand dollars and what looks like air plants, they have all the ingredients for an original sea side themed wedding decoration.

Wreath made from sea grass and sea shells
Gorgeous seagrass wreath available through Beach Grass Cottage

I would love to try and have a go at making something similar and I would certainly use this as a base for my inspiration. Apparently, there is only one of these beautiful wreaths left so if you want to get your hands on it, you had better hurry!

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Nicoletta Ceccoli Illustration

Nicoletta Ceccoli’s illustrations have long been a favourite of mine ever since discovering her work upon the childrens bookshelves. Her paintings appear beautiful and whimsy, featuring angelic doll like faces and surrealist fairy tale landscapes, yet they also tend to have something slightly dark about them. A reason I may find her work so alluring.

Butterfly Illustration Nicoletta Ceccoli
Butterfly by Nicoletta Ceccoli ~ Image from Richard Goodall Gallery

Italian born Nicoletta Ceccoli graduated at the Institute of Art, Urbino in Animation Cinema. Always knowing she wanted to be a childrens book illustrator, Nicoletta has collaborated with various authors on books such as:

Much unlike the working process for childrens book illustration, Nicoletta also describes her love for painting without a pre established theme in her personal work. Here she is free from the restrictions of the story and illustrating for children as the target audience. She believes that both free inspiration and applied illustration styles of working can enrich each other. However, for her show at The Richard Goodhall Gallery in Manchester, a common theme had to be found for the title for her up and coming show and so it was decided this would be  By The Time You Are Real from the much loved childrens tale, The Velveteen Rabbit. A common thread to be found in many of Nicoletta’s illustrations.

Nectar Illustration by Nicoletta CeccoliNectar by Nicoletta Ceccoli

Nicoletta names her illustrations after they are finished. She looks carefully at the definitions and origins of the words for the title and each character and element often has a meaning. Her love of dolls and surrealism are obvious in her lowbrow work as are some of her influences, including

Nicoletta’s art is her love, her hobby and her job. She has stated that she will continue to illustrate childrens books for as long as she is challenged with interesting projects.

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Jude Miller Handmade Paper Flowers

Whilst researching making paper flowers for the wedding, I was delighted to find the beautifully intricate work of Jude Miller. Referring to her paper art as Bontanical Sculptures, Jude painstakingly researches each subject through pictures, under magnifying lenses and by pulling the plants apart for a better understanding of how each flower is formed. She then re-creates her own interpretation with such attention to detail that is hard to tell the final work of art from the real thing.

Paper flower foget me not by Jude MillerWater Forget Me Nots ~ Handmade by Jude Miller

Jude’s passion first developed after teaching herself the art from a book published by the crepe paper manufacturer Dennison. After much encouragement from family and friends, Jude continued her talent and has since been featured in Martha Stewart’s Wedding Magazine and the Royal Horticultural Society shows in New York and London. She favours materials such as crepe paper, beads, threads, organza, fine silk, Fimo and wire along with various adhesives and varnishes.

I am not sure if attempting to make such exquisite flowers is a very practical idea for a wedding unless maybe for the bouquet or head table. To make these in bulk would be too much and I can only guess how much time and skill goes into just one flower. Jude Miller is obviously a very patient artist who must have such a love for her working process and we can see why. She is a real inspiration artistically and I am hoping to at least try making something similar. In the meantime, enjoy these gorgeous paper flowers with wonder!

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Vintage Bottles as Wedding Centerpieces

I think I have become a little obsessed with using glass jars and bottles as part of the display at our sea themed wedding. I have been searching the internet for the last few days and it seems that antique and vintage bottles may be easier to source than I originally thought. I am very excited by this idea as they look fantastic and are appropriate for a wedding on the coast.

Old bottles displaying wild flowersFlower display using vintage bottles ~ found here at Eat Drink Chic

There are lots of old vintage bottles to choose from on ebay starting at 99p. Internet searches also bring up collectors websites, though these are much more expensive. To find these treasures in the local charity shops and cut out the postage would be the ideal scenario but I can imagine these being snapped up rather quickly.

I think these bottles look effortlessly sophisticated and are so shabby chic. The aqua blue and subtle variations in hue are reminicent of the ocean and its many colours and the rare finds that are sometimes found washed up on our English coastline are the biggest prize of all. Tumbled and textured and perfect for a beach and sea themed wedding. What a great way of introducing the sea without going overboard. (Sorry for the very bad pun!)

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Leap The Elk and Little Princess Cottongrass

I first came across the story Leap The Elk and Little Princess Cottongrass when I fell in love with John Bauer’s spellbinding illustration Princess Tuvstarr and the Fishpond, painted in 1913. There is something magical about this painting and I felt instantly attached to it. The story has become one of my most favourite and I have since grown very fond of John Bauer’s beautiful art.

Princess CottongrassPrincess Tuvstarr and the Fishpond ~ John Bauer

Being a great lover of folklore and fables, I felt compelled to find out the story behind this little princesses sadness. I managed to source the author Helge Kjellin back to a compilation of stories entitled Great Swedish Fairy Tales translated from Swedish into English as a second hand library book on ebay.

Leap the Elk and Princess CottongrassLeap sets off, surefooted, across the marsh

Sagan Om Älgtjuren Skutt och Lilla Prinsessan Tuvstarr as the fairy tale is originally known in Sweden is an enchanting story set deep in the dark woods about Princess Cottongrass, a tiny, vunerable little girl with long blond hair and a pure heart. One night she slips away from Dream Castle and meets Longleg Leap the Elk. He is strong and wise and is persuaded by the Princess against his better judgement to carry her on his strong back out into the big wide world. The elk is reluctant to expose her to the dangers and evils of the places that lie far from the castle but Princess Cottongrass is convinced that as she is warm and good, she can share this with those that she meets along the way.

Leap and Princess TuvstarrIt is almost midnight and a few small stars are shining

At first the Princess is delighted with the adventures that she encounters but little by little, the wickedness of the world robs her of her innocence. She ends up losing all that she has, including her fine white gown. The elk becomes anxious that he cannot protect her and so he takes her to the safety of a pool that no human has ever seen. Leap warns the little Princess not to go too near to the water and to be careful of the golden heart chain around her neck. However, the waters of the pool entrance Princess Cottongrass and she leans over only to lose her heart into the murky depths. The elk advises the princess not to dwell on this or she may forget everything else but it is too late. The Princess has stopped noticing the elk is there and sits at the side of the pool, gazing into the water in search of her heart.

Leap and Cottongrass in the ForestThe witch begins to slither from tree to tree, following the elk as it runs

“Many years have passed. Still Princess Cottongrass sits and looks wonderingly into the water for her heart. She is no longer a little girl. Instead, a slender plant, crowned with white cotton, stands leaning over the edge of the pool. Now and then the elk returns, stops, and looks at it tenderly. Only he knows that this is the princess from Dream Castle. Perhaps she nods and smiles, for he is an old friend, but she does not want to follow him back; she cannot follow any more, as long as she is under the spell. The spell lies in the pool. Far, far under the water lies a lost heart.”

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Woodland Wedding Save The Date Cards

I have just been taking a look through some of my initial woodland wedding theme ideas and found these save the date cards. I designed them when I first had the idea of a Midsummer Night’s Dream Wedding. They would also compliment an outdoor wedding, preferably in the woods or for a wedding with a fairytale theme.

Woodland Wedding Theme Save The Date Cards

These save the date cards were one of a few concepts and I came up with at the beginning and I had lots of fun researching woodland wedding stationery. I thought about designing matching wedding invitations and complimentary stationery such as place cards and table settings before I changed my own wedding theme to the sea.

I am thinking that they would have been nice printed on a vintage card stock or handmade paper containing flecks of plants or flower petals, possibly keeping the design as a monotone colour or maybe adding some extra shades of a woodland palette.

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